It is a common warning among many that jointly caring for a pet post-separation is ill-advised. The consensus suggests such situations hinder ex-partners from moving forward, cause practical headaches, lead to tension, and become annoying for everyone involved. Apparently, in a revelation suited to a direct-to-platform film, it also makes our furry friends to become depressed.
While respecting the emotional well-being of animals β many owners attest to their profound sensitivity. To witness a prime example in pet despair, one need only look a past film. There is little doubt that a dog of Merv's nature, a wired-hair terrier mix played by Gus the Dog, would have a hard time adjusting to split households. Whether this premise a feature-length romcom on this conflict is sustainable is rather doubtful.Predictable Foundations
Honestly, Merv, written by its screenwriters and helmed by playwright Jessica Swale, makes no grand claims more profound than what it is. It functions as a seasonal offering from a corporate studio β the complexity are modest. The narrative proves to be straightforward: former spouses Russ (Charlie Cox) and Anna (Zooey Deschanel), realizing that their own sadness is rivaled only by their dog's, embark on a therapeutic trip to a luxury pet hotel. At this location, predictably, they will undoubtedly stumble toward the idea that they should reunite. The supporting cast β featuring familiar faces β fulfill roles the usual assortment of types. Its aesthetic carries the feel of a streaming service original, with a Christmas setting that is clearly manufactured β think obvious snow effects surrounding verdant foliage as a warm climate doubles as the Northeast.
The Dog's Domain
Whether these standard ingredients coalesce into something enjoyable hinges on the actors' work and one's taste for cinematic comfort food. On the latter point, Merv hones in on a demographic β the kind who browse regularly for dog videos. Audiences receive a series of canine-centric sequences. The central draw is Merv himself, and while this leads to some stilted moments between animal action and the actors' responses, the movie delivers on walking sequences, dog depression, and, finally, a tail-wagging resolution.
The Two-Legged Cast
This level of success cannot be applied for the romantic plot. The tone shifts uneasily between relationship drama, broad humor, standard rom-com beats, and outright slapstick, never fully committing to a consistent feel. No blame falls on Cox's performance, who is willing to embrace the silliness and cringe inherent in the bizarre setting. His performance contains a likable self-deprecation that offers much of the film's charm for this on-the-rocks couple. Zooey Deschanel, in her typical fashion, imparts a certain millennial quirkiness that will click for some but not others. Her Anna comes across as a little too aloof, especially when paired with Cox's heartfelt sincerity. (For what it's worth, the canine performer succeeds in acting depressed β he may not be a canine thespian of that caliber, he remains a scene-stealer.)
The story strives to add substance to Anna and Russ's relationship for scenes without their pet β a bit of a pity, given that the title character is easily the best part of this feel-good picture. Expectedly, it meets the bare minimum. The catalyst for their separation would feel more grounded and mature with less exposition and fewer direct statements. As it stands, Merv is gentle and pleasant, meeting every expected note. Creating a movie about dog co-parenting is not terrible β even if I wouldn't call it a stroke of genius.
- Merv streams on Amazon Prime Video on December 10th.
A tech journalist and digital strategist with over a decade of experience covering emerging technologies and business innovation across Europe.